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Book
Le droit français des groupements politiques
Authors: ---
ISBN: 9782804442002 2804442004 Year: 2011 Publisher: Brussel Larcier

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Book
Le référendum d'initiative populaire
Authors: ---
ISBN: 9782802765608 Year: 2020 Publisher: Bruxelles Bruylant

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Le référendum d?initiative populaire pris comme objet de droit pour en parler sans en juger, afin d?en faire ressortir les aspérités et problématiques proprement juridiques qu?il serait susceptible de poser.

Keywords

Legal theory and methods. Philosophy of law --- Comparative law --- Theory of the state --- E-books --- BPB2008 --- referéndum --- France --- STRADALEX --- Francuska --- Franciaország --- An Fhrainc --- Frankrig --- Franza --- Frankrike --- Francja --- Franța --- Франция --- Francia --- Francúzsko --- Franca --- Francie --- Francija --- Франција --- Γαλλία --- Француска --- Prantsusmaa --- Prancūzija --- França --- Ranska --- Frankrijk --- Frankreich --- Ranskan tasavalta --- Republica Franceză --- Francúzska republika --- Prancūzijos Respublika --- Republika Franceze --- Република Франција --- République française --- Republiken Frankrike --- Γαλλική Δημοκρατία --- die Französische Republik --- Francuska Republika --- Franse Republiek --- Француска Република --- French Republic --- Francijas Republika --- ir-Repubblika Franċiża --- Republika Francuska --- Den Franske Republik --- Francia Köztársaság --- República Francesa --- Francouzská republika --- Repubblica francese --- Prantsuse Vabariik --- Francoska republika --- Френска република --- référendum --- kansanäänestys --- referendo --- tautas nobalsošana --- Referendum --- reifreann --- folkeafstemning --- rahvahääletus --- референдум --- referendumas --- népszavazás --- referendum --- δημοψήφισμα --- folkomröstning --- všelidové hlasování --- консултативен референдум --- országos népszavazás --- referendum abrogativo --- proposta referendaria --- lidové hlasování --- ügydöntő népszavazás --- referendum sospensivo --- Volksabstimmung --- kötelező népszavazás --- véleménynyilvánító népszavazás --- referendums --- fakultatív népszavazás --- referendum regionale --- referendum consultivo --- Volksentscheid --- poradní lidové hlasování --- суспензивен референдум --- Constitutions --- Référendum --- Démocratie directe --- Initiative populaire (droit) --- Constitutional law --- Direct democracy --- Droit constitutionnel --- referéndum


Book
Asymptote : an approach to decadent fiction
Author:
ISBN: 9789042027008 9789042027015 9042027002 9042027010 Year: 2009 Volume: 338 Publisher: Amsterdam ; New York, NY : Rodopi,

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Asymptote: An Approach to Decadent Fiction offers a radically new approach to the psychology of Decadent creation. Rejecting traditional arguments that Decadence is a celebration of deviance and exhaustion, this study presents the fin-de-siecle novel as a transformative process, a quest for health. By allowing the writer to project into fiction unwanted traits and destructive tendencies – by permitting the playful invention of provisional identities –, Decadent creation itself becomes a dynamic act of creative regeneration. In describing the interrelationship of Decadent authors and their fictions, Asymptote uses the mathematical figure of the asymptote to show how they converge, then split apart, and grow distant. The author’s approach to the facsimile selves he plays with and discards is the curve that never merges with his authorial identity. In successive chapters, this study describes the Decadents’ experimentation with perversion (Huysmans’s A rebours and Mendes’s Zo’har ), and their subsequent validation of social regulation and creative discipline. It examines magic and its appeal to fantasies of elitism and omnipotence (Péladan’s Le Vice supreme and Villiers’s Axël ), then shows authors embracing the values of community and service. It considers the Decadent text as a vehicle of change in which an artist ventilates fantasies of aggression and revenge (Mirbeau’s Le Journal d’une femme de chamber and Rachilde’s La Marquise de Sade ) then employs writing as the means by which these feelings are discharged. It examines creation as a form of play , “une aliénation grâce à laquelle l’esprit se récupère sous la forme des autres” (Schwob’s Vies imaginaries and Lorrain’s Histoires de masques ), yet notes the Decadents’ decision to return to a single generative center. Finally, it examines creation as an expression of artistic transience and failure, yet shows the Decadents’ success in commemorating the very forces of disintegration (Rodenbach’s L’Art en exil ). In considering the Decadents’ insistence on subjectivism and aloneness, this study concludes (Gourmont’s Sixtine ) by showing their wish to escape the prison of identity and to redefine their art as cooperative creation.

The sea on fire : Jean Barraqué
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ISBN: 1580461417 9786611741099 1281741094 1580466192 Year: 2003 Volume: 25 Publisher: Suffolk : Boydell & Brewer,

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The life and works of one of the most difficult yet rewarding composers of modern time. Jean Barraqué is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of his responsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keys to a new musical language-a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for both of them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks-with himself as in his art. Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five. Paul Griffiths was chief music critic for the London 'Times' (1982-92) and 'The New Yorker' (1992-96) and since 1996 has written regularly for the 'New York Times'. He has written books on Boulez, Cage, Messiaen, Ligeti, Davies, Bartók and Stravinsky, as well as several librettos, among them 'The Jewel Box' (Mozart, 1991), 'Marco Polo' (Tan Dun, 1996) and 'What Next?' (Elliott Carter, 1999).


Book
The Western Front
Author:
ISBN: 9781473833760 1473833760 9781473884694 1473884691 9781473884700 1473884705 1473884713 Year: 2016 Publisher: Barnsley, South Yorkshire

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The Western Front has become, once again, and after 100 years, an important and increasingly popular tourist destination. The Centenary is already encouraging large numbers of visitors to engage with this highly poignant landscape of war and to commemorate the sacrifice and loss of a previous generation. Interest is also being sharpened in the ‘places of war’ as battle-sites, trench-systems, bunkers and mine craters gain a clearer identity as war heritage. For the first time this book brings together the three strands of heritage, landscape and tourism to provide a fresh understanding of the multi-layered nature of the Western Front. The book approaches the area as a rich dynamic landscape which can be viewed in a startling variety of ways: historically, materially, culturally, and perceptually. To illustrate these two dominant interpretations of the region’s landscape – commemorative and heritage – are highlighted and their relationship to tourism explored. Tourism is a lens through which these layers can be peeled away, and each understood and interacted with according to the individual’s own knowledge, motivation, and degree of emotional engagement. Tourism is not regarded here as a passive phenomenon, but as an active agent that can determine, dictate and inscribe this evocative landscape. The Western Front: Landscape, Tourism and Heritage is a timely addition to our increasing interest in the First World War and the places where it was fought. It will be indispensable to those who seek a deeper understanding of the conflict from previously undervalued perspectives.


Periodical
Les champs de mars.
Authors: ---
ISSN: 24273244 Year: 1996 Publisher: Paris : Paris : La Documentation française, Presses de Sciences Po

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This journal aims to provide structure for the field of war and peace studies by creating a legitimate venue for researchers to publish their work, as well as opportunities for both civilian and military readers, academics, and professionals to deepen and enrich their knowledge.


Periodical
La Pensée.
Author:
ISSN: 25403338 Year: 1939 Publisher: Paris : Fondation Gabriel Péri

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La Pensée a été fondée au printemps 1939, dans un esprit qui préfigure celui de la Résistance, avec la volonté, devant à la montée des périls, de combattre l'obscurantisme et de promouvoir un rationalisme moderne. Elle est aujourd'hui publiée par la Fondation Gabriel Péri. Par la pluralité des sujets qu'elle aborde et des champs de compétence des auteurs qu'elle sollicite, elle s'efforce de nourrir la réflexion d'hommes et de femmes d'opinions diverses qui se placent dans une perspective d'émancipation humaine face aux rapports existants d'exploitation et de domination sociales ou qui portent intérêt à cette perspective.


Periodical
Revue historique de la Révolution française.
Authors: ---
ISSN: 24194565 Year: 1922 Publisher: Reims : [publisher not identified],


Book
Emblematic structures in Renaissance French culture
Author:
ISBN: 0802006167 1442655011 1442623470 1442656034 9780802006165 Year: 1995 Volume: 71 Publisher: Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press,

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The emblem and the device (or impresa as it was called in Italy) were the most direct and telling manifestations of a mentality that played a significant role in the discourse and art in Western Europe between the late Middle Ages and the mid-eighteenth century. In the history of Western symbolism, the emblematic sign forms a bridge between late medieval allegory and the Romantic metaphor. These intricate combinations of picture and text, where the picture completes the ellipses of an epigrammatic text, and where the text fixes the intention of the pictured signs, provide useful clues to the way pictures in general were read and textual descriptions visualized in early modern Europe.Daniel Russell demonstrates how the emblematic forms emerged from the way illustrations were used in late medieval French manuscript culture, how the forms were later disseminated in France, and how they functioned within early modern French culture and society. He also attempts to show how the guiding principles behind the composition of emblems influenced the production of courtly decoration, ceremony, and propaganda, as well as the composition of literary texts as different as Maurice Sc¦ve's Delie, Montaigne's Essais, and Du Bartas's Sepmaine.

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